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Showing posts from December, 2010
Every culture strives for its identity by mean of architectural manifestation. Their formal language often depicts the nature of porosity that any culture ready to absorb by new means in conversation with global imperatives. It is difficult to comment on aspiration of any such endeavor but its very approach that designer solemnly aspired to bring about value system that align itself to its own can be questionable.

The National museum at Yilan is an exciting building from stand point of general perception and similar architectural concern. Firstly by its context and secondly by its language. The building contextually sits close to coastal region visibly connected to island which once had strategic significance in WW II. The island has tapering natural form which has some psychological significance locals.

The architect has almost imbibe the natural form the the island. The formal language of museum is reminiscent of high modernism of 1960's esthetically r…